This research has led to a new departure in my studio practice initially in the combination of black and white clays and more vibrant colour as I become more immersed in the Queensland contrasting landscape and the light upon it. Engaging in the diversity of is new experienced landscape the recent work embraces contrasts of control and chance within in its making. The surface built up and transformed through multiple layers of porcelain and black clays and porcelains clay infused with ceramic pigments. The work is in flux held with the vessel,” cauldron” like retaining the ceramic magma.The process begins to reveal its own language, determined in part, by chance as the vessel is formed from its grounding to its edge and continuing within its interior.
